704 Royalty-Free Audio Tracks for "Midi Music"

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Robert Schumann, Album für die Jugend, Op. 68, Nr. 10: "Fröhlicher Landmann, von der Arbeit zurückkehrend" ("Happy Farmer, Returning from Work"), 37 seconds

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

Bach, Sinfonia in F minor BWV 795, mm. 1-3, composite rhythm.

Excerpt from Bach's Mass in B minor

Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)

Scarborough Fair arranged for 2 flutes and harp with 2 variations "Scarborough Fair" arrangiert für 2 Flöten und Harfe mit 2 Variationen

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

Created by Hyacinth (talk) 22:55, 13 July 2011 (UTC) using Sibelius 5. "I Heard the Voice of Jesus Say", Kingsfold, harmony by Ralph Vaughan Williams, final four measures, flute and piano. Source: Denise LaGiglia, Anna Belle O'Shea (2005). The Liturgical Flutist: A Method Book and More, p.166. ISBN 9781579995294.

This is a MIDI rendered Ludwig van Beethoven's Symphony No. 9, Movement 2. It was created from a public domain MIDI file (https://commons.wikimedia.org/wiki/File:Sym_9_Second_Movement.mid) with LMMS using a public domain RKHive Unison soundfont (http://rkhive.com/banks.html). I just made minor adjustments like adding effects for better sound. I release this under CC0.

Simple quadruple drum pattern: divides four beats into two. Created in Sibelius.

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

Fantasiestücke, Op. 12, Nr. 1, "Des Abends", by Robert Schumann (8 KB, 3:23 minutes)

Two hand piano reduction of the "Lacrimosa" from Mozart's Requiem, arranged by Franz Liszt.

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

5-limit Otonality and Utonality: overtone and "undertone" series, partials 1-5 numbered.

Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)

An amazing and great sounding orchestra hit for your music!. Samples and instruments created with the soundfont sgm v2. 01. Software = audacity. Sequencing device: midi creating software.

Nederlands: Frederic Chopin: Ballade #4. Afkomstig van: http://www.ibiblio.org/mutopia/cgibin/piece-info.cgi?id=422, publiek domein

Magnetic Rag by Scott Joplin. MIDI file by Mutopia Project was based on reproduction of the originally published sheet music whose copyright has expired, and has been released to public domain as well. This file was rendered using GMGSx SoundFont; the only change being tempo increase.

I wanted to create mood for a shot video piece that was dramatic, ambient and atmospheric. I jumped on my midi-controller keyboard and generated this sound on my computer using software synths and mixed it and processed it in audacity. Useful for background music for video, or for meditation.

Piano accompaniment from Franz Schubert's lied "Der Wanderer" D.493, second couplet (Die Sonne dünkt ... Ich bin ein Fremdling überall) Accompagnement au piano du deuxième couplet du lied Der Wanderer D.493 de Franz Schubert (Die Sonne dünkt ... Ich bin ein Fremdling überall)

Schubert - op. 29, D.804, I, mm.144-49. Enharmonic modulation using a common viio7, enharmonic in two keys.

Picardy third example from Johann Sebastian Bach's cantata Ich habe genug, BWV 82 in G Minor at a cadence in the right-hand of a realised continuo part Created by Hyacinth (talk) 22:13, 13 July 2011 (UTC) using Sibelius 5.

Schubert - op.9 D.365, mm.17-24. Modulation using German sixth in new key, enharmonic to dominant seventh in old key.

This tune is entitled "Matsurika" or "a　jasmine blossom". It came from China into Japan in early 1800s.This is an older version of Chinese folk song "Mo Li Hua".I made this MIDI file viewing an old music book entitled "Gekkin Gakufu" (view the photo at "Mo Li Hua" of Wikipedia) which was published in 1877 in Japan.

Schumann, Sechs Fugen for organ, Op. 60, No. 5, mm. 1-4. Created by Hyacinth (talk) 00:19, 18 April 2010 using Sibelius 5.

La mer, trois esquisses symphoniques pour orchestre (The sea, three symphonic sketches for orchestra), L. 109, CD. 111: I. "De l'aube à midi sur la mer" performed by the Concert Band of the United States Air Force Band. Track 9 from French Impressions (2000).[1][2][3][4]

Strange sci-fi drone. Created on samplitude music studio, by applying 3 vst instruments (wollow drone, wollow fm-era and sts-17) on the same midi sequence i previously wrote.

Johann Sebastian Bach. BWV 269. Aus meines Herzens Grunde (Chorale 1)

Drum pattern, quarter notes on the bass and snare, accompanied by a steady ride pattern of quadruple whole notes. =60.

Violoncello chord on C. Created by Hyacinth (talk) 09:16, 12 June 2010 using Sibelius 5.

Popular tune from Latvia Wir, an Babels fremden Ufern (Gotteslob (2013) 438)

Chopin's Prelude in C minor modulates within the first three measures.

Stomp progression in C with staggered thirds, chord roots in red. Created by Hyacinth (talk) 04:06, 17 March 2010 using Sibelius 5.

I made this midi file; it is a performance of an In Nomine by Orlando Gibbons, an English composer who died in 1625.

The "Schwencke measure" added to J.S. Bach's Prelude in C Major BWV 846

From Die Zauberflöte, K.620 Wenn Tugend und Gerechtigkeit ... "When virtue and justice spread the path of the great with fame.." These pages contain some of my MIDI sequences of classical music in general midi (GM) format, linked so that you can download or play them by clicking on the links. The sequences are intended to be heard on a computer sound card, and do not include system exclusive messages or controllers other than volume, pan, reverb and chorus. They are all in the public domain. That is, they are no-one's intellectual property: they may be freely copied, adapted, tinkered with and, I hope, surpassed by others.

Augmented chord progression: V+75 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

First bars from Ludwig van Beethoven's Piano Sonata No. 31, Op. 110, third movement

[Dominant] eleventh chord in F, on C (C11). "As it appears in actual music": C, —, G, B, D, F.

Example of bitonality. BWV 803. Klavierubung Part III, Duetto II.

Augmented chord progression: V+65 I. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Augmented chord progression: V+43 I63. Palmer, H. R. (1876). Palmer's Theory of Music, p.91-2. J. Church. [ISBN unspecified]

Hark! The Herald Angels Sing. 日本語: 天にはさかえ。

Polonaise in F major (BWV Anh. 117a) for piano by J. S. Bach (1685–1750) from Bach-Gesellschaft Ausgabe 1851-1899 Band 43 (1894).

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).